Following the success of the three-part miniseries of the same name, the drama series follows the daily lives of Seattle's Gardner family. Joe Gardner is the owner of a successful plastics business and the father of four adult children. The Gardner family includes twice-divorced daughter Anne, who returns home with her two teenaged children; daughter Lindley and husband Jim, parents of a newborn baby daughter; black sheep son Jack; and conservative youngest son Sam, newly married to free-spirited Kay.

A Year And A Half In The Life Of Metallica is a two-part documentary about the process of making the Metallica album (or "The Black Album"), and the following tour. It was produced by Juliana Roberts and directed by Adam Dubin. The second part runs approximately two-and-a-half hours and follows Metallica at the start of their Wherever We May Roam Tour in Europe through to the Guns N' Roses/Metallica Stadium Tour of 1992.

Artist Lawrence Abu Hamdan has a sonic research practice that acts to investigate human rights abuses. In this essay film he focuses his “Private Ear” into analysing sonic data generated by the UN to chart the incessant noise pollution emanating from unauthorised Israeli plane and drone flights into Lebanese airspace. His study focuses upon a period of relative silence in Beirut, the streets of the city emptied by the Covid-19 lockdowns of 2020-2021. UN data is combined with video documentation of the skies above Beirut, filmed and gathered by Abu Hamdan. In this space he carefully charts the sonic incursions of the sometimes invisible but ever-present aircraft, manned and unmanned, which the artist describes as “atmospheric violence”.

A beautiful young woman sets her sights on an aging millionaire. She seduces him, and moves into his mansion with him. She soon tires of him, though, and after she gets rid of him, she goes after his son.

Director Jared Leto crafts a sweeping yet intimate cross-section of America shot on a single July 4th in 2017 with 92 film crews fanning out across each of the United States and Puerto Rico to capture A Day in the Life of America. A gargantuan production shot over a single 24 hour period across the country, the film weaves a wide range of beliefs and backgrounds into a rich tapestry of life.

Documentary film on events that happened on August 28th in African-American history, shown at the Smithsonian African-American History Museum.

A Day in the Life of a Bull-Dyke follows a big boned butch into skirmishes, drag, and the arms of a beautiful recruit. The public and private lives of this "strange animal" are explored with the reverence and glee found in the educational exposés like Reefer Madness and bad-boy films like Rebel without a Cause. However, because this fictionalized lesbian history is a first-person narrative, it is filled with all the joy, pain, and ambivalence each of us experiences while negotiating a marginalized identity.

Linda comes to the big city in search of fun and excitement. What she finds is exploitation and abuse at the hands of a succession of sleazy guys. Searching for love, she enters into a lesbian relationship with a beautiful countess, discovers drugs and swingers' parties and starts acting in porno movies. She also begins to write a secret diary...

Set in 1913, 1936 and 2001. When he returns to the casino and seaside resort of his early teens, Louis, a 78 year old man encounters Olivia, a 19 year old young woman madly in love with a violent cad. Louis tells the story of his own mother having a passionate, driven fling with his Italian tennis instructor in 1936, and of Marie Collins Brown, the slightly older widowed woman who helped him through his confusion and pain by recounting the story of her passionate 24 hour fling with a hopeless young Polish gambler in 1913.

Documents a normal day in the life of this Swiss character.